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In capital letters, the word "ESPERA"
written in the asphalted ground
of the airport lane

it is washed away

initially written in white
paint
big dimensions

along two directional lines
one constant, in red
the other dotted, in white
or grey

the shot is capturing the inscription
diagonally

E in the top left corner
A in the bottom right

but my vibration, 
 attention

the emotionally moving reason to take the shot
is the washed-away condition
of the word itself

ESPERA means WAIT

the fragmentation of its readability 
(which invites almost unavoidably to imagine its full erasure
 in a near future)
convokes a very specific semiotic-material interpretation 

on my side
this is:
    I am touched by the precedent fiction of this presence
    arranged around a reality of airport vehicles trespassing
    the waiting spot

    over and over and over and over again

The experience of waiting being contained by an inscripted instruction
then washed away by the very opposite phenomenon:
    intense circulation
    
Persistant matters to imposed verbalisations
gestures beyond circuits

times after estaticness
movement over stillness

but also...
impatient productivity?

opportunistic reading?

the chronotope of the waiting spot
speaks about the convoluted worldling
of the wording of thresholds

the after-the-fact reading
informs about the unstillness of life
in a not-fully erased possibility of patience

this evident disobedient impatience

reminds me of hte traces we'll leave



